Best Supporting Actor 2018 - Top 10
10. Daniel Kaluuya, Widows
Kaluuya's spine-chilling mob enforcer Jahtemme is the stuff of nightmares as he stalks across the screen. He absolutely delivers in every regard despite his limited screentime. Despite his short stature, he creates this uncomfortable, insidious energy that makes him so imposing, creating a real sense of dread every time he's on screen with his character's sociopathic, violent tendencies, but also a sort of boyish enthusiasm that comes through at times that grants him all the more complexity. I only wish he had more scenes with Brian Tyree Henry as they're also great in the scenes they share together.
9. Lily Franky, Shoplifters
As Osamu, 'father' of the Shibata household at the centre of Hirokazu Kore-eda's Shoplifters, Franky gives a refreshing spin on a well-worn sort of role. That of the roguish Fagin-esque father figure, and Franky uses this unemployed labourer who teaches his children the 'art' of shoplifting to make a character who is at once problematic and likeable. He never shies away from the less than savoury nature of his character's moral philosophy, yet also creates such an endearing husband and father who shows nothing but love and compassion for his family, and even through the questionable third act creates such a powerful sense of poignancy to his character's self-reflection.
8. Linus Roache, Mandy
Roache is just for lack of a better word, utterly repulsive in the role of cult leader Jeremiah Sands, making for both a hideous nasty villain fitting for the utterly bonkers tone of the film, but also so enjoyably pathetic in ways that in no way diminishes his threat. He finds the danger within the character as not that of menace, but rather that of a pretty pathetic man who relies upon his followers and delusions of grandeur. Every time he breaks from his eery high and mighty routine to reveal the whiny brat within is absolute gold, and his final few scenes in particular are rather amazing.
7. Nicholas Hoult, The Favourite
Hoult gives a deliciously snobbish portrayal of Robert Harley, Tory and Lord High Treasuerer in Queen Anne's (Olivia Colman) court. The main purpose of his character is to be comic relief, yes this is a comedy, but where the central trio of ladies have many more serious moral dilemmas and even Joe Alwyn's Samuel Masham has a bit of pathos in his eventual cuckoldry, Hoult's purpose is to just be an absolute hoot, which he fulfils at every point whether it's throwing a violent tantrum at not getting the property tax reductions he wants, snidely tossing tomatoes at a fellow MP, and perhaps my favourite scene where he pitifully tries to interrogate Emma Stone's Abigail.
6. Tim Blake Nelson - The Ballad of Buster Scruggs
Here we have Coen Brothers regular Tim Blake Nelson, playing both within and against his type as a the titular cheery Texan singing cowboy who's also deadly, misanthropic sharpshooter. I could easily see a zany feature-length dark comedy about Buster Scruggs' cheery yet violent exploits across the Wild West, with Nelson's dynamic comic energy and downright wonderful singing voice guiding us along the way. He manages to combine the hilarious concept behind the character with a surprising amount of genuine menace, and it's just a wonderfully fun performance to watch that makes for one of the Coen Brothers' finest comedies in his segment.
5. Brian Tyree Henry - If Beale Street Could Talk
Henry's only onscreen for about 12 minutes or so max, but the impact he makes within this limited screentime is amazing. As a childhood friend, Daniel Carty, of one half of the central lovers, Fonny (Stephan James), Henry is simply amazing in how he so naturally segues from one point to the other with his character, and unpeeling the layers of his character to such haunting effect. He moves from the avuncular, warm and genuinely likeable friend, shooting the breeze with Fonny, to so affectingly discussing his recent incarceration in prison for a crime he didn't commit. It's an astonishing and haunting performance that is one of the best elements of the film.
4. Russell Crowe, Boy Erased
As of late, Crowe's been transitioning into a character actor, his charming double-act with Ryan Gosling in The Nice Guys aside, with usually solid if not spectacular results. This is his best performance in quite some time, and he really delivers here as Marshall, the preacher father to Lucas Hedges' Jared. Crowe is great at showing a father's unconditional love with his son in the earliest scenes chronologically, as well as the man's sincere belief in his religious ideology, and convincingly shows how he struggles with this love against his son coming out, which he never deals with in a one-dimensional fashion. Even though it's not always the focus he creates a real power to his internal struggle even when doing and saying some fairly reprehensible things, leading to final scenes with Hedges which is absolutely incredible in its emotional power.
Kaluuya's spine-chilling mob enforcer Jahtemme is the stuff of nightmares as he stalks across the screen. He absolutely delivers in every regard despite his limited screentime. Despite his short stature, he creates this uncomfortable, insidious energy that makes him so imposing, creating a real sense of dread every time he's on screen with his character's sociopathic, violent tendencies, but also a sort of boyish enthusiasm that comes through at times that grants him all the more complexity. I only wish he had more scenes with Brian Tyree Henry as they're also great in the scenes they share together.
9. Lily Franky, Shoplifters
As Osamu, 'father' of the Shibata household at the centre of Hirokazu Kore-eda's Shoplifters, Franky gives a refreshing spin on a well-worn sort of role. That of the roguish Fagin-esque father figure, and Franky uses this unemployed labourer who teaches his children the 'art' of shoplifting to make a character who is at once problematic and likeable. He never shies away from the less than savoury nature of his character's moral philosophy, yet also creates such an endearing husband and father who shows nothing but love and compassion for his family, and even through the questionable third act creates such a powerful sense of poignancy to his character's self-reflection.
8. Linus Roache, Mandy
Roache is just for lack of a better word, utterly repulsive in the role of cult leader Jeremiah Sands, making for both a hideous nasty villain fitting for the utterly bonkers tone of the film, but also so enjoyably pathetic in ways that in no way diminishes his threat. He finds the danger within the character as not that of menace, but rather that of a pretty pathetic man who relies upon his followers and delusions of grandeur. Every time he breaks from his eery high and mighty routine to reveal the whiny brat within is absolute gold, and his final few scenes in particular are rather amazing.
7. Nicholas Hoult, The Favourite
Hoult gives a deliciously snobbish portrayal of Robert Harley, Tory and Lord High Treasuerer in Queen Anne's (Olivia Colman) court. The main purpose of his character is to be comic relief, yes this is a comedy, but where the central trio of ladies have many more serious moral dilemmas and even Joe Alwyn's Samuel Masham has a bit of pathos in his eventual cuckoldry, Hoult's purpose is to just be an absolute hoot, which he fulfils at every point whether it's throwing a violent tantrum at not getting the property tax reductions he wants, snidely tossing tomatoes at a fellow MP, and perhaps my favourite scene where he pitifully tries to interrogate Emma Stone's Abigail.
6. Tim Blake Nelson - The Ballad of Buster Scruggs
Here we have Coen Brothers regular Tim Blake Nelson, playing both within and against his type as a the titular cheery Texan singing cowboy who's also deadly, misanthropic sharpshooter. I could easily see a zany feature-length dark comedy about Buster Scruggs' cheery yet violent exploits across the Wild West, with Nelson's dynamic comic energy and downright wonderful singing voice guiding us along the way. He manages to combine the hilarious concept behind the character with a surprising amount of genuine menace, and it's just a wonderfully fun performance to watch that makes for one of the Coen Brothers' finest comedies in his segment.
5. Brian Tyree Henry - If Beale Street Could Talk
Henry's only onscreen for about 12 minutes or so max, but the impact he makes within this limited screentime is amazing. As a childhood friend, Daniel Carty, of one half of the central lovers, Fonny (Stephan James), Henry is simply amazing in how he so naturally segues from one point to the other with his character, and unpeeling the layers of his character to such haunting effect. He moves from the avuncular, warm and genuinely likeable friend, shooting the breeze with Fonny, to so affectingly discussing his recent incarceration in prison for a crime he didn't commit. It's an astonishing and haunting performance that is one of the best elements of the film.
4. Russell Crowe, Boy Erased
3. Tom Waits, The Ballad of Buster Scruggs
Here we have renowned musician and seasoned character actor Tom Waits playing what seems to be the role he was born to play, an old, grizzled yet adorable prospector with a strange affinity with the natural world. As the prospector digs away, Waits grants such a heartfelt sincerity to the prospector, creating such a natural affinity with a character we the audience grow to love and befriend, and his unique brand of personal philosophy with regards to his pursuit of gold, which he fondly names 'Mr Pocket'. There's even something more beyond the depth of that with Waits' depiction of the man's moral principles that ultimately lead to something quite heartrending and in its own understated way profound. Brilliant performance that couldn't have been given by anyone other than Mr Waits.
Runner-up: Richard E. Grant, Can You Ever Forgive Me?
More than thirty years after his breakout turn in Withnail & I, the charismatic British thespian (and one of the most entertaining talk show guests) Grant finally gets another role worthy of his talents. Which is not to say he's gone entirely off the radar or anything, but this is his best character and thus performance in quite some time. Grant is simply put, a delight in the role first and foremost, playing up the gay, flamboyant and utterly endearing Jack Hock with such entrancing energy, and creating hilarious moments playing off Melissa McCarthy's more curmudgeonly and irritable Lee Israel. He's a great blast of comedic energy in the film, but manages to also create such a truly affecting, genuine friendship with McCarthy, and in their final scene such pathos, while along the way also depicting a rather tragic portrait of a man whose showy antics and nature is used to disguise a deeply lonely man within. Amazing performance and I really hope he'll win the Oscar.
10. Emily Blunt, A Quiet Place
8. Marina de Tavira, Roma
7. Cynthia Erivo, Bad Times at the El Royale
6. Andrea Riseborough, Mandy
5. Michelle Yeoh, Crazy Rich Asians
Runner-up: Regina King, If Beale Street Could Talk
Here we have renowned musician and seasoned character actor Tom Waits playing what seems to be the role he was born to play, an old, grizzled yet adorable prospector with a strange affinity with the natural world. As the prospector digs away, Waits grants such a heartfelt sincerity to the prospector, creating such a natural affinity with a character we the audience grow to love and befriend, and his unique brand of personal philosophy with regards to his pursuit of gold, which he fondly names 'Mr Pocket'. There's even something more beyond the depth of that with Waits' depiction of the man's moral principles that ultimately lead to something quite heartrending and in its own understated way profound. Brilliant performance that couldn't have been given by anyone other than Mr Waits.
Runner-up: Richard E. Grant, Can You Ever Forgive Me?
More than thirty years after his breakout turn in Withnail & I, the charismatic British thespian (and one of the most entertaining talk show guests) Grant finally gets another role worthy of his talents. Which is not to say he's gone entirely off the radar or anything, but this is his best character and thus performance in quite some time. Grant is simply put, a delight in the role first and foremost, playing up the gay, flamboyant and utterly endearing Jack Hock with such entrancing energy, and creating hilarious moments playing off Melissa McCarthy's more curmudgeonly and irritable Lee Israel. He's a great blast of comedic energy in the film, but manages to also create such a truly affecting, genuine friendship with McCarthy, and in their final scene such pathos, while along the way also depicting a rather tragic portrait of a man whose showy antics and nature is used to disguise a deeply lonely man within. Amazing performance and I really hope he'll win the Oscar.
WINNER: Steven Yeun, Burning
Yeun gives a portrayal of one of the most chilling and complex characters of the year. His performance is a fascinating enigma, as the way he plays it means one can see him as either the insidious sociopath from Jong-su's perspective, or the lascivious laddie's man also from his perspective, or even just an average joe. Yeun's performance is all about creating several layers to a seemingly vapid and indifferent man - one who can come across in so many different ways within the same scene, open to so many interpretations without being vague. He can suggest either a sincere fascination with Hae-mi (Jeong Jong-so) or a more patronising air of indifference within the same glance, a yawn, a simple switch of expression. In his interactions with Yoo Ah-in's Jong-soo he can suggest either the subtly patronising airs of a wealthy playboy, or something altogether more twisted; or he could just be a normal chap with arrogant airs on who Jong-soo projects his class divide resentments. Yeun makes all these elements of the character never seem like hanging strands but combines them into a daring characterisation with some masterful moments, above all stands his 'confession' scene which must be seen to be believed.- Steven Yeun, Burning
- Richard E. Grant, Can You Ever Forgive Me?
- Tom Waits, The Ballad of Buster Scruggs
- Russell Crowe, Boy Erased
- Brian Tyree Henry, If Beale Street Could Talk
- Tim Blake Nelson, The Ballad of Buster Scruggs
- Nicholas Hoult, The Favourite
- Linus Roache, Mandy
- Lily Franky, Shoplifters
- Daniel Kaluuya, Widows
- Michael B. Jordan, Black Panther
- Bill Heck, The Ballad of Buster Scruggs
- Jeff Bridges, Bad Times at the El Royale
- Chris Hemsworth, Avengers: Infinity War
- Lewis Pullman, Bad Times at the El Royale
- Alessandro Nivola, Disobedience
- Rafael Casal, Blindspotting
- Riz Ahmed, The Sisters Brothers
- Russell Hornsby, The Hate U Give
- Anton Yelchin, Thoroughbreds
- Jonjo O'Neill, The Ballad of Buster Scruggs
- Bryan Tyree Henry, Widows
- Sam Elliott, A Star is Born
- Josh Brolin, Avengers: Infinity War
- Jesse Plemons, Game Night
- Dolph Lundgren, Creed II
- Florian Munteanu, Creed II
- Josh Brolin, Deadpool 2
- Topher Grace, BlacKkKlansman
- Grainger Hines, The Ballad of Buster Scruggs
- Armie Hammer, Sorry to Bother You
- Harry Melling, The Ballad of Buster Scruggs
- Sterling K. Brown, Black Panther
- Adam Driver, BlacKkKlansman
- Liev Schrieber, Isle of Dogs
- Sylvester Stallone, Creed II
- Jim Cummings, Christopher Robin
- Richard Brake, Mandy
- Joe Alwyn, The Favourite
- Johan Olsen, The Guilty
- Colman Domingo, If Beale Street Could Talk
- Jake Johnson, Spider-Man: Into the Spider-Verse
- Peter Bogdonavich, The Other Side of the Wind
- Tom Waits, The Old Man & the Gun
- Philip Ettinger, First Reformed
- Edoardo Pesce, Dogman
- Matthias Schoenaerts, Red Sparrow
- Kairi Jō, Shoplifters
- Ving Rhames, Mission: Impossible - Fallout
- Jake Gyllenhaal, The Sisters Brothers
- Tom Holland, Avengers: Infinity War
- Mark Rylance, Ready Player One
- Robert Downey Jr., Avengers: Infinity War
- Jake Gyllenhaal, Wildlife
- Julian Dennison, Deadpool 2
- Benedict Cumberbatch, Avengers: Infinity War
- Ike Barinholtz, Blockers
- Andrew Dice Clay, A Star is Born
- Gabriel Byrne, Hereditary
- Paul Bettany, Avengers: Infinity War
- Joel Edgerton, Boy Erased
- Jermaine Fowler, Sorry to Bother You
- James Smith, The Favourite
- Lin-Manuel Miranda, Mary Poppins Returns
- Harry Belafonte, BlacKkKlansman
- James Franco, The Ballad of Buster Scruggs
- Colin Farrell, Widows
- Saul Rubinek, The Ballad of Buster Scruggs
- Chelcie Ross, The Ballad of Buster Scruggs
- Simon Pegg, Mission: Impossible- Fallout
- John Krasinski, A Quiet Place
- Anthony Welsh, Journeyman
- Bill Camp, Wildlife
- Aaron Taylor-Johnson, Outlaw King
- Sebastian Stan, Destroyer
- John Malkovich, Bird Box
- Willie Watson, The Ballad of Buster Scruggs
- Dave Bautista, Avengers: Infinity War
- Jon Hamm, Bad Times at the El Royale
- Cedric Kyles, First Reformed
- Ben Whishaw, Mary Poppins Returns
- Brendan Gleeson, The Ballad of Buster Scruggs
- Brad Bird, Incredibles 2
- Michael Douglas, Ant-Man and the Wasp
- Donald Glover, Solo: A Star Wars Story
- Jason Clarke, First Man
- Dick van Dyke, Mary Poppins Returns
- Christian Slater, The Wife
- Nicolas Cage, Spider-Man: Into the Spider-Verse
- Jasper Pääkkönen, BlacKkKlansman
- Edward Norton, Isle of Dogs
- Jeff Goldblum, Isle of Dogs
- Bob Balaban, Isle of Dogs
- Bill Murray, Isle of Dogs
- Mads Mikkelsen, At Eternity's Gate
- Brian Tyree Henry, Spider-Man: Into the Spider-Verse
- Steven Yeun, Sorry to Bother You
- Will Poulter, The Little Stranger
- Ron Livingstone, Tully
- John Mulaney, Spider-Man: Into the Spider-Verse
- Rupert Friend, At Eternity's Gate
- Andy Serkis, Black Panther
- Huckleberry Milner, Incredibles 2
- Danny Glover, The Old Man & The Gun
- Cameron Sear, Boy Erased
- Noah Jupe, A Quiet Place
- Henry Cavill, Mission: Impossible - Fallout
- Forest Whitaker, Black Panther
- Ben Mendelsohn, Ready Player One
- Michael Beach, If Beale Street Could Talk
- Chris Hemsworth, Bad Times at the El Royale
- Mark Ruffalo, Avengers: Infinity War
- Jimmy O. Yang, Crazy Rich Asians
- Flea, Boy Erased
- Dave Chappelle, A Star is Born
- Billy Howle, Outlaw King
- Sam Rockwell, Vice
- John Cena, Bumblebee
- Sean Harris, Mission: Impossible - Fallout
- Omari Hardwick, Sorry to Bother You
- Jude Law, Fantastic Beasts: The Crimes of Grindelwald
- Lukas Haas, Widows
- Chris Evans, Avengers: Infinity War
- Mathieu Amalric, At Eternity's Gate
- Mahershala Ali, Spider-Man: Into the Spider-Verse
- Russell Hornsby, Creed II
- Live Schreiber, Spider-Man: Into the Spider-Verse
- Jack Lowden, Mary Queen of Scots
- Garret Dillahunt, Widows
- Bob Odenkirk, Incredibles 2
- Ben Hardy, Bohemian Rhapsody
- Gwylim Lee, Bohemian Rhapsody
- Joe Mazzello, Bohemian Rhapsody
- Xavier Dolan, Boy Erased
- Niels Arestrup, At Eternity's Gate
- Wood Harris, Creed II
- Paul Walter Hauser, BlacKkKlansman
- Johnny Depp, Fantastic Beasts: The Crimes of Grindelwald
- Ryan Eggold, BlacKkKlansman
- Troye Sivan, Boy Erased
- Oscar Isaac, At Eternity's Gate
- Pierce Brosnan, Mamma Mia! Here We Go Again
- Martin Freeman, Black Panther
- Tom Hollander, Bohemian Rhapsody
- Joe Alwyn, Boy Erased
- Alec Baldwin, Mission: Impossible - Fallout
- Samuel L. Jackson, Incredibles 2
- Kevin J. O'Connor, Widows
- Sterling K. Brown, The Predator
- Michael Peña, Ant-Man and the Wasp
- Winston Duke, Black Panther
- Randall Park, Ant-Man and the Wasp
- Chris Pratt, Avengers: Infinity War
- Kyle Chandler, Game Night
- Jeffrey Donovan, Sicario: Day of the Soldado
- Nico Santos, Crazy Rich Asians
- Tom Hollander, Bird Box
- James McArdle, Mary Queen of Scots
- Laurence Fishburne, Ant-Man and the Wasp
- Jeremy Irvine, Mamma Mia! Here We Go Again
- Walton Goggins, Ant-Man and the Wasp
- Liam Neeson, The Ballad of Buster Scruggs
- Mandy Patinkin, Life Itself
- Robert Duvall, Widows
- Trevante Rhodes, The Predator
- Burn Gorman, Pacific Rim Uprising
- Willem Dafoe, Aquaman
- Colin Firth, Mary Poppins Returns
- Thomas Jane, The Predator
- Dan Fogler, Fantastic Beasts: The Crimes of Grindelwald
- Stephen Dillane, Outlaw King
- Blake Jenner, American Animals
- Timothée Chalamet, Beautiful Boy
- Keegan Michael-Key, The Predator
- Liam Neeson, Widows
- Augusto Aguilera, The Predator
- Jacob Tremblay, The Predator
- Dave Franco, If Beale Street Could Talk
- Woody Harrelson, Solo: A Star Wars Story
- Daniel Bruhl, The Cloverfield Paradox
- Daniel Kaluuya, Black Panther
- Paul Bettany, Solo: A Star Wars Story
- Manuel Garcia Rulfo, Sicario: Day of the Soldado
- Joe Alwyn, Mary Queen of Scots
- Simon Pegg, Ready Player One
- David Oyelowo, The Cloverfield Paradox
- Antonio Banderas, Life Itself
- Jared Abrahamson, American Animals
- Guy Pearce, Mary Queen of Scots
- Alfie Allen, The Predator
- Rafi Gavron, A Star is Born
- Aiden Gillen, Bohemian Rhapsody
- Sergio Peris-Mencheta, Life Itself
- Ismael Cruz Córdova, Mary Queen of Scots
- Charlie Day, Pacific Rim Uprising
- Steve Carell, Vice
- Billy Magnussen, Game Night
- Jeremy Irons, Red Sparrow
- Joel Edgerton, Red Sparrow
- Patrick Wilson, Aquaman
- Justin Theroux, Mute
- Chris O'Dowd, The Cloverfield Paradox
- David Tennant, Mary Queen of Scots
- Allen Leech, Bohemian Rhapsody
- Max Irons, The Wife
- Mike Myers, Bohemian Rhapsody
- Alex Monner, Life Itself
- Jesse Plemons, Vice
- Shea Wigham, Vice
- Oscar Isaac, Life Itself
- Scott Eastwood, Pacific Rim Uprising
- Oscar Isaac, Annihilation
Best Supporting Actress 2018 - Top 10
10. Emily Blunt, A Quiet Place
Within the limits of the film, Blunt gives a great performance that's particularly attuned to her talents. In that it focuses on the physical, employing her great skill at showing so much just through the movements, facial reactions, and realistic grasp of the circumstances at hand. She was a surprise winner at SAG, and I'd say a deserving one.
9. Zazie Beetz, Deadpool
Deadpool may well argue that luck isn't a superpower, but Beetz ensures that Domino not only demonstrates that it's a force to be reckoned, but gives one of the standout turns in a superhero films this year. I loved her real carefree approach to essentially an invincible being, and embraces the lighthearted elements of the character to make for a superhero you could easily follow throughout a whole film if it weren't for the fact that she's so...invincible.
A wonderful performance that I'm really glad was nominated for the Oscar. De Tavira gives a performance that largely comes in short spurts, from the viewpoint of the maid Cleo, as the harried mother, Sofia, dealing with an absent husband. Her vivid depiction of the strains and stresses affecting her and causing outbursts and anger are so convincingly rendered, as are her moments of warmth, and I particularly love the scenes where she reveals the wholly good nature of Sofia when she comforts a terrified Cleo about her pregnancy.
This really was a great year for her to break out into film, as there's just a certain star charisma about her that makes me want to see her in a lot more, both in this and Widows. Her portrayal of soul singer Darlene Sweet is well, very sweet to begin with, and she just carries her character with such honesty and dignity as essentially the only stranger without a secret, that sets her apart from the rest of the more duplicitous cast. She has great chemistry with Jeff Bridges in particular, and also has some very strong individual moments, like her singing scenes, and I absolutely love her incisive verbal beatdown of Chris Hemsworth's character.
A haunting performance that is essential to the film, as she honestly helps to amplify her co-stars performances, where Linus Roache and Nicolas Cage have their best scenes both directly, and indirectly, relate to her performance. She actually doesn't have a lot of screen time, but within that I thought she made a really strong impact as sort of a more worldly 'ethereal' love interest than you might expect from this kind of film. She suggests the character's troubled past but focuses more on her love for Cage's red, and is downright great in her final scenes with Roache, facing down an utter monster of a man with such defiance that makes what happens so heartbreaking.
I really do like the film, but from an acting perspective I have to admit one performance stood above the rest, and that was Yeoh's turn as the Young family matriarch Eleanor, from her badass first scene onwards. Frankly I found the dynamics surrounding her character, both with her onscreen son Nick (Henry Golding) and his Asian-American fiancee Rachel (Constance Wu) the most fascinating element of the film. With her son she shows such a loving warmth tempered by the reserve and strictness of her position in the family, and is rather extraordinary in her scenes with Wu as she shows the disapproval but also an underlying concern that Rachel, like her, might not be cut out for the Young family, but through no fault of her own. She creates the right balance between the cold and warmer sides of the character and makes what happens at the end have a much bigger emotional impact than I'd expected.
4. Claire Foy, First Man
One could perhaps nitpick her inconsistent accent, but Foy delivers another great performance here as Janet Armstrong, a change in pace after her recent string of phenomenal television turns in Wolf Hall and The Crown as British aristocracy. She finds a wonderful touch within the role of the concerned housewife by focusing less on the more overtly supportive qualities that usually define this roles, instead finding a real poignancy to her bond with her husband Neil (Ryan Gosling) both in joy but also in grief, and being great both in the scenes of creating this underlying connection, but also the scenes of distance and frustration at her husband's reserve and reluctance to open up. It's a really strong 'supportive' performance in the most traditional sense and I'm sad she missed out on an Oscar nomination at the very last minute.
3. Jeon Jong-seo, Burning
Jeon gives one of the most heartbreaking performances of the year as essentially the manic pixie girl brought to life, and painfully shut down by reality. She creates such a wonderful yet in a way, pathetic, figure with her depiction of Hae-mi, showing both how Yoo Ah-in's Jong-su would be so entranced by her but also how many others would be most dismissive - with re-watch I found her performance in the scenes where she's describing her ideal paradise world and dreams particularly affecting as she shows such an 'untarnished' soul in her delivery, yet with just the right amount of ambiguity to question whether it's genuine or not. It's an enigmatic performance that embodies some of the film's greatest attributes.
A spectacular performance that rightfully had a full head of steam going into awards season, and which will hopefully pick up again come Oscar time. King delivers for sure in the most showy moments of the devoted mother who will ensure her daughter (Kiki Layne) and son-in-law (Stephan James) will not go down without a fight, as she imbues Sharon Rivers with such a fierce willpower that manages to lift some of the lacklustre acting in certain scenes. She creates such a lovely chemistry with Layne in particular, and in her more tender quiet moments is just as excellent as in the big ones. In the narrative detour to Rio to find the woman who accused her son-in-law of rape she's similarly fantastic in showing that relentless drive but also the heartrending sympathy within this character who is in many ways, simple yet excellent in that purity of soul.
WINNER: Elizabeth Debicki, Widows
Debicki gives a true breakout turn here, she's been great in various roles in the past but this is her meatiest to date. She creates an astonishingly powerful portrayal of firstly, a victim of abuse by both her onscreen mother and husband, and subsequently the grieving housewife, breaking her down into a complete mess that is quite something to witness before the film takes her character in quite the unprecedented direction. She's not just some one-note caricature who switches from victim to badass in an instant, Debicki gives remarkable nuance to this transformation into a more assertive, confident character that's rather amazing to watch. Honestly pretty much every scene with her ranks among the best scenes of the film, in particular one sequence at a gun exhibition which is both hilarious and moving. She steals the film entirely with her depiction of her character arc, and creates both a real dramatic heft to the social thriller side, and fun to the heist movie side, with her terrific work here.
Not surprised that Yeun is your win haha
ReplyDeleteI don't have a Top 10 for Supporting rn, though Roache, Waits, Nelson, Crowe, Hoult and Yeun are definitely on it. I'd just need to work out the rankings. Didn't quite love Tyree Henry, but he was good.
I'm actually stumped as for my Top 10 for Supporting Actress, so that one might take awhile for me to figure out.
Commendable choices as per usual. I'll say out of these listed performances, my affection is particularly strong for Crowe, Grant, Hoult and Foy, though I also share your enthusiasm for Blunt.
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