Tuesday, 19 February 2019

Reel and Roll Awards - Best Director 2018

10. Debra Granik, Leave No Trace
Granik's knack for finding such a quiet sort of harmony within the silent and the low-key, without becoming saccharine, is rather astonishing. Her direction is never flashy, never shows its hand, never cheats with your emotions, yet the effect it has is just so effective. Her style grants a cinematic touch while never compromising the earthly roots of the story, and knows to wisely let the performances drive the story wonderfully. Great work.

9. Christopher McQuarrie, Mission: Impossible - Fallout 
McQuarrie's second go at the franchise tops his previous excellent effort in Rogue Nation. The vibrancy of the action sequences have never been more outstanding than in here, and I think the film contains more than half of the best action sequences of the year. McQuarrie simply delivers in a capacity that I think some could take for granted, in that he steamrolls through with an extraordinarily entertaining motion picture.

8. Paweł PawlikowskiCold War
Remind me folks that I really need to see Pawlikowski's Ida. Though I do not love the film, it is undoubtedly a masterfully directed film that thematically, structurally, and with such strong atmosphere weaves in and out of a rather unique take on romance, a sort of stark juxtaposition to say, A Star is Born. It's rather brilliant work that really imbues every frame with this atypical sense of intimacy and coldness blending into one, that is truly the sign of great direction.

7. Barry Jenkins, If Beale Street Could Talk 
Astonishing work once again by Jenkins in a strong follow-up to Moonlight. It's not as great as Moonlight but that's a hard one to follow up on. In a contrast to Pawlikowski, I did have reservations with some of Jenkins' choices, some of the voiceover, some of the indulgences, and from an acting point I felt he did not put every actor on exactly the same wavelength. Having said that when he's on point it is one of the most masterfully directed films of the year, using that visual element, and music, to create a truly stunning and emotionally resonant feature.

6. Yorgos Lanthimos, The Favourite 
The one-of-a-kind storyteller delivers with his one-of-a-kind take on the period drama. Though I have slight reservations with a couple of his choices, there is really nothing to fault in an overarching sense, certainly not with any of the technical elements, most certainly not with any of the performances with which he conjures up a truly brilliant tone between deadpan and ridiculousness, amplified so well by his visual storytelling. He does many scenes you feel like you've seen before in ways you've never seen before, with the dance sequences throughout being some of the most inspired directing choices I've seen the past year.

5. Marielle Heller, Can You Ever Forgive Me?
Heller's work is not typically 'grand' directing but rather just incredible, nuanced work that guides the film and its material along wonderfully. I cannot stress how important Heller's work is in guiding, providing the right sort of direction and guidance through the screenplay for the performances, and vice versa, and establishing such a tricky yet utterly successful tone between sincerity and scathing wit for her film. It's unfortunately the sort of directing that so often goes unnoticed critically and by awards organisations since rather than showing off, it shows off the various elements of the film in such an unassuming way that makes this one of the best of the year.

4. Lee Chang-dong, Burning
Lee as a director is really one-of-a-kind, and this film is a great representation of his talents. In that he 'springs' onto you with his very unique style that focuses so much on minimalism in terms of dialogue yet with so much focus on atmosphere, here to craft a particularly fascinating mystery. It's probably his most visually compelling film yet too, and he merges everything, alongside directing three fantastic performances, into a truly transformative experience.

3. Joel and Ethan Coen, The Ballad of Buster Scruggs   
Once again, the Coen Brothers knock it out of the ballpark. This time around with six different stories which they handle in terms of the varying tones, varying plots, varying themes, with such aplomb, and particularly amazing in how they manage to cohere them all into one finished product that feels like it all fits like a puzzle, despite each story having no direct link to the next.

I'm actually still somewhat undecided between my top 2...and I want to write more about them when I have time. So for the time-being: 

2. Damien Chazelle, First Man

1. Alfonso Cuarón, Roma 



  1. Alfonso Cuarón, Roma 
  2. Damien Chazelle, First Man
  3. Joel and Ethan Coen, The Ballad of Buster Scruggs  
  4. Lee Chang-dong, Burning 
  5. Marielle Heller, Can You Ever Forgive Me?
  6. Yorgos Lanthimos, The Favourite 
  7. Barry Jenkins, If Beale Street Could Talk 
  8. Christopher McQuarrie, Mission: Impossible - Fallout 
  9. Debra Granik, Leave No Trace 
  10. Gustav Möller, The Guilty
  11. Paweł PawlikowskiCold War
  12. Joel Edgerton, Boy Erased
  13. Wes Anderson, Isle of Dogs 
  14. Bob Persichetti, Peter Ramsey, Rodney Rothman, Spider-Man: Into the Spider-Verse
  15. Steve McQueen, Widows 
  16. Carlos López Estrada, Blindspotting
  17. Panos Cosmatos, Mandy
  18. Bradley Cooper, A Star is Born 
  19. David Lowery, The Old Man and the Gun 
  20. Drew Goddard, Bad Times at the El Royale
  21. Hirokazu Kore-eda, Shoplifters 
  22. Steven Caple Jr., Creed II
  23. Matteo Garrone, Dogman
  24. Paddy Considine, Journeyman
  25. John Krasinski, A Quiet Place
  26. Boots Riley, Sorry to Bother You 
  27. The Russo Brothers, Avengers: Infinity War
  28. Chloe Zhao, The Rider 
  29. Morgan Neville, Won't You Be My Neighbour 
  30. Ryan Coogler, Black Panther
  31. Julian Schnabel, At Eternity's Gate
  32. Spike Lee, BlacKkKlansman 
  33. David Leitch, Deadpool 2
  34. Orson Welles, The Other Side of the Wind 
  35. David Gordon Green, Halloween
  36. Jon S. Baird, Stan & Ollie
  37. Jacques Audiard, The Sisters Brothers
  38. John Francis Daley and Jonathan Goldstein, Game Night
  39. Andrew Bujalski, Support the Girls 
  40. Ol Parker, Mamma Mia! Here We Go Again 
  41. Cory Finley, Thoroughbreds   
  42. George Tillman Jr., The Hate U Give
  43. David Mackenzie, Outlaw King
  44. Paul Schrader, First Reformed 
  45. Matthew Heineman, A Private War 
  46. Travis Knight, Bumblebee
  47. Jason Reitman, Tully
  48. Josie Rourke, Mary Queen of Scots 
  49. Ari Aster, Hereditary 
  50. Paul Dano, Wildlife
  51. Jon M. Chu, Crazy Rich Asians 
  52. Ian Bonhôte, Peter Ettedgui, McQueen 
  53. Lenny Abrahamson, The Little Stranger 
  54. Aneesh Chaganty, Searching 
  55. Sebastián Lelio, Disobedience  
  56. Betsy WestJulie Cohen, RBG
  57. Peyton Reed, Ant-Man and the Wasp
  58. Rob Marshall, Mary Poppins Returns 
  59. Luca Guadagnino, Suspiria 
  60. James Wan, Aquaman
  61. Greg Berlanti, Love, Simon
  62. Brad Bird, Incredibles 2 
  63. Marc Foster, Christopher Robin
  64. Susanne Bier, Bird Box 
  65. Yolanda Ramke, Cargo 
  66. Kay Cannon, Blockers
  67. Karyn Kusama, Destroyer 
  68. Ron Howard, Solo: A Star Wars Story 
  69. Stefano Sollima, Sicario: Day of the Soldado
  70. Gary Ross, Ocean's 8
  71. Peter Farrelly, Green Book 
  72. Steven Speilberg, Ready Player One 
  73. Bart Layton, American Animals 
  74. Bjorn Runge, The Wife
  75. Bryan Singer, Bohemian Rhapsody
  76. Alex Garland, Annihilation 
  77. Steven S. DeKnight, Pacific Rim Uprising
  78. Julius Onah, The Cloverfield Paradox 
  79. Francis Lawrence, Red Sparrow
  80. Shane Black, The Predator 
  81. David Yates, Fantastic Beasts: The Crimes of Grindelwald 
  82. Duncan Jones, Mute 
  83. Felix Van Groeningen, Beautiful Boy 
  84. Clint Eastwood, The 15:17 to Paris
  85. Dan Fogleman, Life Itself
  86. Adam McKay, Vice  

2 comments:

  1. Can't complain about these lists too much.

    ReplyDelete
  2. Calvin: Also, if you don't mind taking suggestions, have you ever thought about doing a Top 10 Nicolas Cage performances article? The man had a bit of a renaissance in 2018, which I hope keeps up.

    ReplyDelete